The residential complex AnA is situated close to the Student Village of Tirana University on a magnificent hillside. The oddly-shaped site starts with a narrow edge along the street and widens sloping down 15 meters of level difference. The building folds as a continuous figure, respecting all the necessary distances to the property line and on itself. This stepped form creates a local landmark with an identifiable skyline in a very heterogeneous context.

The site opens itself to allow a pedestrian connection between the student village and the northern areas. This passage enlivens the commercial ground floor and the compound piazettas. The cuts in building volume are a response to the urban regulations and a way to break down the overall massing into pieces more related to the human scale. The same 'cut' approach is used in order to provide light and natural ventilation for circulation spaces. The attic floor has setbacks in strategic locations of the building for best views from the terraces for the exquisite apartments. The materialization aims for an elegant appearance with differentiated materials and patterns but an overall clean white look: the plinth is of fair-faced concrete with a diamond-shaped relief, the body from white plaster, crowned by an attic floor clad in beveled tiles for a shimmering reflection of the strong Albanian sun.

House 1 is the first built project of the masterplan 'mirror twins'. On top of a shared commercial ground floor a green link connects the site with the close-by park. The two seperate buildings connected by the common plinth are generating an enormous amount of requested square meters. Rather massive volumes are perforated by a series of programmatic voids that connect to a common circulation space, an inner void. The much needed public space is integrated into the building by creating a second entry level and reinterpreting the circulation space. The engraving appearance
of House 1 refers to the typical salient facades of Tirana. Multiple tilted strips create a rich play of light and shadow.

A very special project in our portfolio is the Chalimbana Local Government (CLG) Training Institute in Chalimbana, Zambia as it can be seen as a good example of a passive and self-sufficient city. The aim of the masterplan was to increase the quality of life of both students and academic staff of the Institute, to structure the campus for the long term, and to provide the grounds with a clear, recognizable identity.

Low-tech in construction but high-tech in designing, we created a plan that included everything needed for an autarchic project. In a very sustainable manner, we used the excavated soil to press it into bricks contributing to the buildings being passively cooled and heated. To achieve that we mainly used the sun energy. From a special angle and material of the roofs to the orientation of all buildings to strictly East-West, with the main facades (North & South) avoiding the low angles of the sun, CLG Training Institute became an eco-friendly vision made into reality. Also, we made sure that the rainwater and the cleaned sewage can drain into the groundwater locally, granting a precise water cycle.

The existing road provides access to the campus by car. Simultaneously, a new main route for pedestrian connections is established as the new 'heart' of the campus. It runs between the mostly residential area on the North and the educational program on the South side of the grounds. These two clusters - housing and education - at the two opposite ends of the campus are surrounded by the lecturers' houses, and by leisure activities. By closing off some of the student housing blocks, small neighbourhoods are created, with inner gardens and courtyards providing atmospheric living quarters.

This urban design aims to create an attractive living environment for young families and couples and to give a new impulse to a large social housing estate from the 1960s. The existing open block structure will be maintained but is transformed into a structure with semi-private courtyards.

Different typologies - i.e. houses with ground-level access, apartments with open floor plans - add variation to the housing supply. Within the building blocks, elevated courtyards create a safe environment for social interaction between inhabitants, especially young families. Notwithstanding their open character, these courtyards offer a clear visual and functional border between public and private spaces.

Between the blocks, a sequence of car-free squares that draw on the surrounding structure contributes to a lively public space. To keep spaces as car-free as possible, most of the parking is organized in underground garages which are accessible from the edges of the block. By drawing on the existing structure, and by continuing the green belts and the existing rows of trees, the design creates a strong link with its surroundings.

When designing the Durres Beach Hotel in Golem, Albania, CITYFÖRSTER faced the challenge of creating quality within an unpromising context. Golem, a popular beach resort, enjoys a prime location on the sea and is set in a mountainous landscape. However, the village has suffered from uncontrolled development, resulting in a sprawling blanket of buildings. The site for the new hotel is located in the third row from the beach and faces a highway on the other side.

On the other hand, the site boasts a beautiful forest of mature Mediterranean pine trees and forms an anchor to a potential urban plaza in the south. In order to overcome the challenges, we designed a building rooted in the Modernist tradition, a compact building-block surrounded by greenery. This layout provides the entire building with light, air and space, and secludes the rooms on lower floors from their direct surroundings. An elevated roof garden compensates for the footprint and adds to the overall quality of the new hotel.

All rooms have highly finished interiors, as well as balconies offering different views – either towards the sea, towards the mountains, or towards the trees. Each balcony is cladded in natural stone from different regions in Albania, which creates a distinct rhythm in the façade. The west façade corresponds to the adjacent buildings, whilst the east façade follows the patterns of trees. The end result is a positive eyecatcher, clearly visible from the highway and the sea.

Building on existing structures.

The plot of Bar Center in Fier (Albania), located next to our projects Rinia Complex and Building Block on a central urban intersection and adjacent to an inner-city park, was occupied by an existing building from the late 1990s. This building – the plinth of an unfinished high-rise, which stood at three storeys high – was unassuming and unfitting for this prominent location; therefore, the owners approached us to extend the building and upgrade the existing floors. So we used the volume of the existing building as a starting point for the design.

The addition activates the upper floors and makes them directly accessible from the new main square of Fier, to which the building now prominently orientates. The result is a stepped five-storey volume enclosed in a geometrical, rasterized façade. This geometrical façade, in turn, is partially clad in semi-transparent golden shading sheets, which function as a screen against the sunlight. Additionally, they bring more unity to the building's appearance. The volume, whose two newly added floors contain a publicly accessible rooftop bar with views over Fier, offers an urban topography that serves the city as a whole.

Upside Down, Downside Up!

For the 8th sculpture Symposium (2017), Korça Municipality invited a selected group of architects, together with sculptors, to create temporary pavilions triggering the revitalisation of public spaces.

By inverting an abstract tree, Shu-Wei Chang, the sculptor, worked with the concept of 'roots-seeking'. The branches now grow towards the underground, recollecting the past, possibly finding some sort of lost identity. The proposition of this pavilion plays with this concept. A mirror that "returns" the sculpture to the "natural position" resulting in the viewer being inverted in relation to the surroundings. The structure, a form of a house, is stripped to its fundamentals. The materials choice (lumber and scrap wood) was intended to create a sustainable low-cost proposition while withstanding the time and made use of the limited availability of materials locally. Exploring further the 'back to the roots' concept, a traditional hanged Albanian carpet became the "soil" in which the tree seeks aliment. The pans (used to cook Korça typical meatballs) were positioned like flowers on a prairie. In conclusion, we aim to provoke a reflection of traditions as our identity ground in contemporary life.

Our reconstruction concept of Tirana's "Student City 2" aims to show the great potential for particularly thermal energy savings in construction, modern student housing and is showcasing a well performing example how public and private sector can interact. As the buildings suffers from massive deterioration on the inside, main focus of the energy concept lays on a replacement of all basic infrastructure, including a adequate ventilation and heating systems as well as new windows as its centrepiece to remedy humidity. Different subdivisions of student rooms with joined shared bathrooms and modifications in use of common rooms allows spacious privacy and reacts on students needs. Applying a complementary colored orientation and material system for each dormitory allows visual indication of buildings, floors and rooms and provides "Student City 2" with a unique identity. As the roofs of the buildings offer common space, they can be used according to public or economic visions of its users and leverage "Student City 2" to be Albania's pilot energy efficiency project.

How to organize attractive family living and low energy housing in a high-density city center?

Our award-winning design for the Embassy Residences in Albania provides high-quality, family-friendly, and low-energy housing units in the city center of Tirana, one of the fastest-growing cities in Europe.

The project responds to the mayor's ambition to limit the growth of the city and to counter sub-urban developments with a more diverse range of housing typologies. On top of a commercial plinth and two parking levels rises a series of stacked villas, connected by a semi-public stair. This serves as alternative circulation and additional, shared informal outside space to the apartments. 



The floorplans protect the privacy of the apartments but allow residents to sit on their porch or use the staircase to access their apartment when in the mood for a chat or a Friday afternoon drink. Research has led to a compact build-up of irrigated substrate layers that can support rich vegetation on the stair, balconies, and roof terraces.

The facade consists of two layers arranged according to insolation. A basic glass layer is protected by a secondary shading layer of anodized aluminum where it is not protected by surrounding buildings or cantilevering volumes. This results in high transparency on the one and low energy costs on the other hand in addition to preventing the building from the hot Mediterranean sun whilst still guaranteeing an elegant look.

The Rinia Complex is located in a former youth park in the center of Fier, on a plot that is open to 3 sides, facing different contexts. Our design for the mixed-use complex addresses these contexts, which represent the different and differing needs of the area. The building seeks to express the ambitions of the City of Fier, that is: to create a new image, one that is fitting for a city that is dynamic and continually growing, and to add important functions to the city like a public 25m pool and a cinema.

Rinia Complex is a truly multifunctional building, with a program that also includes a 5-star hotel, 2 floors of parking space, residential units, a bank, a shopping center, a restaurant, and a casino. All public functions of the complex are accessible directly from the street via external staircases and are embedded into their urban surroundings. The building has been designed to be used in different ways at different moments throughout the day, offering both public/open access and private/restricted access areas. The intricate program has been fitted into a single volume, a uniquely shaped building that is internally 'fragmented' in order to give an answer to the different needs and the diversity of the context, but which also retains its flexibility as an urban 'shelf' that can take on a variety of functions.